{"id":7344,"date":"2017-04-01T17:45:30","date_gmt":"2017-04-01T15:45:30","guid":{"rendered":"https:\/\/www.nctmelarte.it\/?p=7344"},"modified":"2024-06-04T10:45:22","modified_gmt":"2024-06-04T08:45:22","slug":"art-week-elena-mazzi-performance","status":"publish","type":"post","link":"https:\/\/www.nctmelarte.it\/en\/art-week-elena-mazzi-performance\/","title":{"rendered":"Art Week, Elena Mazzi, performance"},"content":{"rendered":"\n<p><strong><em>nctm e l\u2019arte<\/em> presents Elena Mazzi with the performance <em>Financial Singing<\/em> and the works related to the projects <em>The Financial Singing<\/em> and <em>A Fragmented World<\/em> <\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>During the Milan Art Week, Elena Mazzi will present her works at Nctm Studio Legale\u2019s premises and on 1 April, on the occasion of the firm\u2019s special opening, she will stage the performance <em>The Financial Singing<\/em>.<\/p>\n\n\n\n<p>Among the works that will be on display is the video-installation <em>A Fragmented World<\/em>, which will remain at Nctm. The work, made in collaboration with Sara Tirelli, is inspired by the &#8220;fracture theory&#8221; developed by the theoretical physicist Bruno Giorgini, and investigates the permanent process of destruction\/construction of nature and the consequent human perception of such experience. Part of the project are also the series Fracture, photoengraving prints made with lava dust, and the related photographic studies.<\/p>\n\n\n\n<p>In the performance <em>The Financial Singing<\/em>, an opera singer recites and sings a &nbsp;graphic representing trends in Western capitalist economy, reflecting the social and emotional impact of the economic crises that marked the course of the Twentieth Century. The work takes shape following the reading of the book <em>How nature works<\/em> by Danish physicist Per Bak, where he defines strategies to analyse crises and catastrophes&nbsp; from a human and natural point of view, finding common affinities.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"640\" height=\"480\" src=\"https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/2017-Elena-Mazzi-The-Financial-Singing-performance.jpg\" alt=\"\" class=\"wp-image-6577\" srcset=\"https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/2017-Elena-Mazzi-The-Financial-Singing-performance.jpg 640w, https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/2017-Elena-Mazzi-The-Financial-Singing-performance-300x225.jpg 300w, https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/2017-Elena-Mazzi-The-Financial-Singing-performance-600x450.jpg 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption><em>Elena Mazzi, <\/em>The Financial Singing<em>, performance<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"475\" src=\"https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/the-financial-singing4.jpg\" alt=\"testo alternativo lorem ipsum\" class=\"wp-image-6357\" srcset=\"https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/the-financial-singing4.jpg 1000w, https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/the-financial-singing4-300x143.jpg 300w, https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/the-financial-singing4-768x365.jpg 768w, https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/the-financial-singing4-800x380.jpg 800w, https:\/\/www.nctmelarte.it\/wp-content\/uploads\/2020\/03\/the-financial-singing4-600x285.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption><em>Elena Mazzi, <\/em>The Financial Singing<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"2017-Elena-Mazzi-The-Financial-Singing-performance\" src=\"https:\/\/player.vimeo.com\/video\/445260438?dnt=1&amp;app_id=122963\" width=\"563\" height=\"1000\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><figcaption><em>Elena Mazzi, <\/em>The Financial Singing<em>, performance<\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>nctm e l\u2019arte presents Elena Mazzi with the performance Financial Singing and the works related to the projects The Financial Singing and A Fragmented World<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[365],"tags":[370,367],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts\/7344"}],"collection":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/comments?post=7344"}],"version-history":[{"count":2,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts\/7344\/revisions"}],"predecessor-version":[{"id":9350,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts\/7344\/revisions\/9350"}],"wp:attachment":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/media?parent=7344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/categories?post=7344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/tags?post=7344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}