{"id":745,"date":"2014-06-07T15:00:00","date_gmt":"2014-06-07T13:00:00","guid":{"rendered":"http:\/\/qubeplus.com\/demo\/ezio\/?p=745"},"modified":"2024-06-04T11:54:50","modified_gmt":"2024-06-04T09:54:50","slug":"what-sci-fi-tells-interaction-designers-about-gestural-interfaces","status":"publish","type":"post","link":"https:\/\/www.nctmelarte.it\/en\/what-sci-fi-tells-interaction-designers-about-gestural-interfaces\/","title":{"rendered":"Adrian Paci, Edi Hila, Potential Monuments of Unrealised Futures, Albanian Pavilion, 14. Architecture Venice Biennale"},"content":{"rendered":"<p>The Republic of Albania participates in the 14<sup>th<\/sup> International Architecture Exhibition &#8211; La Biennale di Venezia, with the Pavilion <em>Potential Monuments of Unrealised Futures<\/em>, curated by Beyond Entropy Europe.<\/p>\n<p><!--more--><\/p>\n<p><em>nctm e l\u2019arte<\/em> was involved in the creation of the Albanian Pavilion at the Venice Architecture Biennale, where the artist Adrian Paci represented his country with the video-installation <em>The Column<\/em>.<\/p>\n<p>The work is articulated in two elements: the projection of a video and a column resting horizontally outside the exhibition space.<\/p>\n<p><em style=\"font-size: inherit;\"><strong>Potential Monuments of Unrealised Futures &#8211; Sale d\u2019Armi, Arsenale di Venezia<br \/>\n<\/strong><\/em><strong>7 June &#8211;\u00a0 23 November 2014 <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Republic of Albania participates in the 14th International Architecture Exhibition &#8211; La Biennale di Venezia, with the Pavilion Potential Monuments of Unrealised Futures, curated by Beyond Entropy Europe.<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[138],"tags":[277,289,290],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts\/745"}],"collection":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/comments?post=745"}],"version-history":[{"count":13,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts\/745\/revisions"}],"predecessor-version":[{"id":9403,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/posts\/745\/revisions\/9403"}],"wp:attachment":[{"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/media?parent=745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/categories?post=745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nctmelarte.it\/en\/wp-json\/wp\/v2\/tags?post=745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}